Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas The Pedicure oil painting


The Pedicure
1873
Painting ID::  909 		Edgar Degas
The Pedicure
1873
   
   
     
Edgar Degas Children Sat Down in the House Door oil painting


Children Sat Down in the House Door

Painting ID::  910 		Edgar Degas
Children Sat Down in the House Door
   
   
     
Edgar Degas At the Beach_z oil painting


At the Beach_z
1876 National Gallery, London
Painting ID::  911 		Edgar Degas
At the Beach_z
1876 National Gallery, London
   
   
     
Edgar Degas Women in Front of a Cafe, Evening oil painting


Women in Front of a Cafe, Evening

Painting ID::  912 		Edgar Degas
Women in Front of a Cafe, Evening
   
   
     
Edgar Degas Semiramis Building Babylon oil painting


Semiramis Building Babylon
1860-62 150 x 258cm Musee d'Orsay, Paris
Painting ID::  913 		Edgar Degas
Semiramis Building Babylon
1860-62 150 x 258cm Musee d'Orsay, Paris
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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